The Marlene Dumas exhibition Name no Names has been organized by the Centre Pompidou, Musée national d’art moderne and is being shown in Tilburg following presentations in Paris and New York. It…
The second act in a new series of collaborative projects to be held in the podium space promises to be an exciting encounter between painting and sculpture. Hester Oerlemans (Schijndel, 1961) lets no…
Privacy & Cookie Statement De Pont Museum respects your privacy and we take steps to ensure that any personal information you entrust to us is handled with the proper confidentiality. We collect no…
In connection with the commemoration of the 400th anniversary of Dutch-Japanese relations, a great many events and exhibitions that focus on various aspects of this are being held this year. The…
In 1993 Jeroen Doorenweerd (Terneuzen, 1962) was the first artist to be asked by De Pont to give shape to the museum's garden with a work. His son Mischa (Tilburg, 1988), then five years old, played…
At a young age Robert Zandvliet (Terband 1970) already began to earn praise for his paintings. In 1996 he made use of a guest studio at De Pont, and the museum acquired his work for the collection. In…
Early in 1996, De Pont purchased a four-part work by the German painter Sigmar Polke (Oels, 1941). This acquisition, Hermes Trismegistus 1-4 (1995) was first shown at the 1995 Carnegie International…
Over the past twenty years Thomas Schütte has worked with techniques and ideas from a variety of disciplines, including architecture and theatre, figurative modelling and life-drawing, in a restless…
In collaboration with Modern Art Oxford, The Power Plant, Toronto and Secession, Vienna The work of Angela Bulloch is complex and versatile. She produces light and sound works, drawing machines,…
‘Actually I’ve never done anything other than seek the right form for my ideas.’ Ever since his debut in 1992, Job Koelewijn (Spakenburg, 1962) has been putting this statement by Man Ray into…